It is a common misconception that better technique, better equipment or luck will help you take better photographs of nudes. It won’t, but good ideas will.
Shooting nude glamour in a scrap yard. What could go wrong?
Improve your nude and glamour photographs by being aware of composition. Composing nude photographs is no more difficult than other subjects.
The basics are explained in Beginners Guide to Photography Composition. This article looks at their application to the nude.
Part 1 Pre-Shoot Communication For models (and photographers)
Working with experienced and inexperienced models is fun but there are a lot of pitfalls. Here’s how to avoid them. The key to a successful shoot is communication. So what do we photographers say? What do models want to know?
The word photography means painting, drawing or writing with light. It is impossible to make a photograph without light. The quality of your nude photography lighting depends on three things, the direction, intensity and quality of the light falling on and then reflected by your subject.
Photographing nude women in a scrap yard full of bits of sharp, oily metal. Not easy but the shoots produced some great pictures.
It is easy to take better nude photographs. Anyone, even the best at something, can always get better at it. All you have to do is acquire more knowledge, practice, and maybe have a bit of inspiration.
There’s a lot to think about when shooting commercial glamour nudes. So here’s a few glamour nude tips with more from other photographers at the bottom of the page.
My glamour nude photographs are published on book covers, calendars and in magazines. Glamour can mean anything from a film star in a revealing dress, to swimsuit pictures on a beach or full frontal nudity. Glamour nude doesn’t always mean totally uncovered so here is a small portfolio of my most popular photos.
Daylight or Artificial Light
Nature has given us a large, bright light source complete with some very handy diffusers (clouds) which is wonderful for lighting nude photographs. Unfortunately we have no control over when these diffusers appear and, although the sun is always shinning it reaches us with varying intensity.
What lens have you got on that?
I hate talking about gear when I am using it. As a long suffering wedding photographer I used to dread the approach of the serious looking old gentleman, scuffed brown leather cased, 50’s vintage, camera round his neck. Usually he had just been fiddling with for at least ten minutes to take one photograph of his rather overweight, and definitely bored, wife in her best hat. I knew the inevitable question was coming.
‘What sort of lens have you got on that?’
‘That’ was usually a 6×4.5 Bronica film camera. We used to use medium format cameras because no one believed you were a pro with a 35mm SLR
My reply was often a completely genuine, ‘I don’t know.’
I could see him debating as to whether to rush off and exclaim to the bride that she had booked a complete idiot to take her wedding pictures, or whether to tell me not to be such a sarcastic bugger.