Between glamour photos and the more formal naked figure photography lies erotic, documentary and personal photography. Are these pictures erotica, art or porn?
nudes on location
The Concept – Take Better Photographs of Nudes
How to Photograph Nudes, Thinking About Nude PhotographyIt is a common misconception that better technique, better equipment or luck will help you take better photographs of nudes. It won’t, but good ideas will.
Scrap Yard Nude Glamour – Out Takes
Getting Published, Glamour Photography, How to Photograph Nudes, Modelling, Out TakesShooting nude glamour in a scrap yard. What could go wrong?
What Wave? Wet Look Glamour
Glamour Photography, Modelling, Out TakesPhotographer: There’s a big wave coming!
Model: What wave?
Photographer: That one.
Nude Photography Composition
How to Photograph NudesImprove your nude and glamour photographs by being aware of composition. Composing nude photographs is no more difficult than other subjects.
The basics are explained in Beginners Guide to Photography Composition. This article looks at their application to the nude.
Creating The Scrap Yard Nudes Calendar
Getting Published, Glamour Photography, How to Photograph NudesPhotographing nude women in a scrap yard full of bits of sharp, oily metal. Not easy but the shoots produced some great pictures.
Twenty Nudes Number 17
Boudoir, Glamour Photography, Nude Portraits, Twenty Nudes17. Sam
A professional nude model and owner of a customized XR2. Sam featured in Penthouse, [nu] and on numerous erotic fiction book covers
Twenty Nudes Number 15
Nude Portraits15. Kim

Housewife, mother and part time model. These unconventional nude portraits display an interest in fetish, bondage, submission and tattoos that dwells beneath the suburban exterior.
Personal Space Take 2
Nude Portraits, Personal Space Nudes, Portfolios, Twenty Nudes
Personal space nudes is a collection of nude portraits of women depicted at home. They are surrounded by treasured possessions and sometimes the detritus of real life. Stripping away clothing means the viewer only has the surroundings from which to glean information about the subject.