The Concept – Take Better Photographs of Nudes

It is a common misconception that better technique will help you take  better photographs of nudes. I recently took part in a critique where a photographer put up a technically perfect but aesthetically boring picture of a nude. He commented that he had no concept or message when taking the picture but would like to do more ‘artistic’ work. I suggested that if he worked on having the former then the latter might naturally flow.

nude woman holding bananas
Forbidden Fruit

 I always try and get my students to have a concept or reason for taking a picture. This doesn’t have to be a highly intellectual artistic message which will emphasise the need for world peace. It can be as simple as documenting a walk or taking a portrait that tells the viewer something about that person. Think about a simple holiday snap. The reason for taking it may simply to provide a record of the place you visited, which is perfectly valid but, as soon as we add the idea of showing that it was really pretty, or a complete dump, what a good time we had, the people we met or even how much we drank the dynamics of our picture taking change. We are trying to produce a picture in response to our feelings about a place and convey an idea. As soon as you as a photographer start to work towards a specific theme or concept the creation process becomes much more interesting and creative.

Empty houses, at the end of their lives seem to contain imprints of the previous occupants. There is an idea that ghosts are created by distortions in time which give us a glimpse into the past or future and figures appear to walk through walls because the is or was a door there at that time. Trying to create a picture that explores that concept resulted in a picture that has been praised and panned in equal measure.

Unfortunately this doesn’t prevent you from producing a picture that the majority of viewers think is crap but, and it’s a big but, if you are happy with the result and it conveys or shows what you wanted to show then stick with it. Monet, Van Gogh and Cezanne didn’t get rave reviews at first.

Because digital photography is an instant process many photographers think that, with luck, they may go out and take that award winning picture today, although they are not quite sure where or what of. Most artists have an idea, work on sketches and then create various canvases to explore that idea. Great photographers do the same. Read an interview with a landscape photographer. They will say that they scout locations, think where the light will be at different times of day, examine what they want to convey about the landscape and then make several visits until they achieve the result they want.

So How Much Technical Knowledge Do I Need.

Any artist must first learn their medium; you wouldn’t expect sit down at a piano and compose a sonata or pick up your kids water colours and paint like Rembrandt (who painted mostly in oils by the way). But the elements of composition and lighting are as important as technique.  (see Composition or Technique? on my other site Writer and Photographer).

Photography is a technical process so you must learn elements of your craft in order to be able to capture everything you want to in your chosen medium but digital cameras are able to handle a lot of the technical aspects of photography for us. We have a greater chance of success in recording a given subject with a high degree of technical accuracy and can therefore start thinking more about creative ideas earlier on the learning curve than our predecessors.

Ironically the freedom modern cameras give us means that some photographers think less about the artistic creation process due to its technical ease when we actually have more time to think about concepts, ideas, composition and all the elements that make a great photograph.

 

More thinking about it

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