I hate talking about gear when I am using it. As a long suffering wedding photographer I used to dread the approach of the serious looking old gentleman, scuffed brown leather cased, 50’s vintage, camera round his neck. Usually he had just been fiddling with for at least ten minutes to take one photograph of his rather overweight, and definitely bored, wife in her best hat. I knew the inevitable question was coming.
‘What sort of lens have you got on that?’
‘That’ was usually a 6×4.5 Bronica film camera. We used to use medium format cameras because no one believed you were a pro with a 35mm SLR
My reply was often a completely genuine, ‘I don’t know.’
I could see him debating as to whether to rush off and exclaim to the bride that she had booked a complete idiot to take her wedding pictures, or whether to tell me not to be such a sarcastic bugger. Continue reading →
Keep it simple stupid is often pretty good advice. These photographs were taken in my studio with one light and one model. OK sometimes I used a reflector to lighten the shadows because the cameras dynamic range doesn’t match the human eye. What’s dynamic range? Free downloadable PDF on Exposure. Continue reading →
The walls seem to hold echoes of the past. It is easy to visualise the ghosts of previous occupants wandering through their empty rooms. Maybe it takes a creative leap to see them as attractive naked women but when photographing nudes on location you can capture whatever you want. This is about interpreting an idea to create an interesting image Continue reading →
Producing studio nudes gives you a choice. Use a plain background, strip away the real world, and produce an image that depicts the human body only. Alternatively add props or build a setting to create an illusion. These tactics along with extensive make up are used to produce glamour images but can also be used to produce pictures that depict the models personality.